Het Compton Opus A276 Theaterorgel

Het Compton Theaterorgel staat
sinds 2005 in het Kunkels draaiorgelmuseum te Haarlem

Het lokale Servicepagina

het theaterorgel

het theaterorgel

Compton Haarlem

Wurlitzer - Strunk

Wurlitzer - Strunk

Wurlitzer - Strunk
Amsterdam

techniek

techniek

Standaart Boskoop

lokaties

lokaties

Strunk Steenwijk

lokaties

lokaties

Standaart Dordrecht

lokaties

lokaties

Standaart Schiedam

Het Compton Theaterorgel te Haarlem

De Nederlandse Orgel Federatie (kortweg N.O.F.) doet samen met zijn bestuur en het technische team van Haarlem hun uiterste best u van de meest kwalitatieve service te bieden. Op deze website kunt u lezen wat wij voor u kunnen betekenen maar vooral wat u voor ons kunt betekenen.

Disposition Compton 3/12Bloghlm

De Dispositie van het Compton TheaterorgelEen dispositie is een ander woord voor de vraag: "Welke registers en mogelijkheden heeft het orgel eigenlijk ?"Hieronder een uiteenzetting wat het orgel allemaal bezit aan klavieren, registers en instrumenten.

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History of the Compton HaarlemBloghlm

The Compton Theatre Organ has a rich history, which such a magnificent organ deserves. From December 2, 1983 to December 3, 2003, the Compton 3/11 theatre organ played in the Concert and Auditorium in Middelburg. It might be interesting to take a moment to reflect on a bit of the history of this instrument.  Some quick numbers:1935 – 1961 The Majestic Cinema in Rochester;1961 – 1981 Roman Catholic Church in Orpington-Kent1981 – 2005 Concert- and Auditorium in Middelburg2005 - far into the future ;-) Draaiorgelmuseum in Haarlem.We then go back to 1935 when the organ was built.   The John Compton Organ Company The demand for theatre organs at the beginning of the last century resulted in the manufacture of these organs in various parts of the world.The pipework, regardless of the make, was all of equal construction and character.Based on the romantic style of the classical organs around 1900.The electrically driven wind supply was technically at a far advanced stage at the time, that this type of “unit” organ – also called “extention” organ – was accepted as the most suitable organ for theatres.The electromagnets, necessary to control the wind supply for the pipes in the wind chests, had been given the predicate “reliable”.Apart from such electro-pneumatic actions for the pipes and percussions, such mechanisms were also used for the so-called multi-contact relay. The relay, with the function of the central switching system between the console and the pipework, can be compared to the function of the telephone exchange as a central link between subscribers in a telephone conversation. Organ builders based the relays on the system developed by Würlitzer, after the ideas of the Englishman Robert Hope Jones. However, this system required a lot of space and wind supply and was therefore very expensive. John Compton was the only organ builder to start experiments with a system that used direct electro-magnets and made the expensive wind supply with its pneumatic actions...

Read more: History of...

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De NOFiteiten, Nederlands beste glossy Theaterorgel magazine.

Een prachtig Nederlandstalig blad met veel info over theaterorgels, wetenswaardigheden, activiteiten in Nederland en soms daarbuiten en in het middenkatern bladmuziek, speciaal gearrangeerd voor het theaterorgel.

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